My creative process starts with seeking inspiration - it's intentional, not random. I draw inspiration from everything around me: the beauty of nature, meaningful scripture passages from my devotionals, thoughts recorded in my personal journal, or even in a song lyric or melody that just seems to resonate.

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When an idea clicks, I lock in on it and seek or create reference photo to anchor my mind before I begin to express myself on canvas. Lately, I've been experimenting with AI tools for creating images based on a detailed description of my vision. There's something exciting about merging traditional art with new technology. Typically, however I use a photo I've taken or saved over the years and embellish it to align with my vision once it's on my canvas. 

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​Once my vision is set, canvas prep follows. It's a set process. I gather my tools: colored pencils, markers, graphite, my jar of water, paints, my palette, and various brushes. Then, I select my canvas and position it on the easel. Next, I spend some time just sitting with the blank canvas to acquaint myself with it before I move on to the next step. This routine grounds me before I begin.

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My technique is a balance of skill and intuition, and starts with something that might look like chaos to others - spontaneous scribbles and mark-marking. These allow me to overcome the intimidation that often greets me when I stare a blank canvas in the face. They also create an initial grid for me to work from. Next, I photograph these marks and use my iPad to digitally overlay the reference photo, creating a guide for sketching the fundamental form.

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The actual painting process is deliberate. Once I select my base and undertone paints, I start with translucent washes using my largest brush, gradually building depth and form. Shadows are blocked in and slowly darkened, allowing the piece to emerge organically.

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As the work develops, I move to progressively smaller brushes, transitioning from translucent to semi-opaque paints. Each layer adds nuance and depth. I use opaque paints sparingly in order to maintain the loose, expressive, watercolor-like quality that has come to define my style. I also enjoy how the translucent paints allow the light to bounce back off of the canvas. I try to keep as much of these visible as possible.

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These steps typically unfold over 3 to 4 separate painting sessions. It's important for me to step way from my art and return to it with fresh eyes to avoid perfectionism and allow the unique personality of the piece to shine through. Once I'm satisfied with the piece, I start and finish the edges - a final touch that adds sophistication and really rounds out the piece.

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The final touch is my signature - my initials formed into a personal emblem of sorts - applied to the lower right corner. Before varnishing, I carefully deliver the painting to my local photographer to capture its essence in its purest form. Lastly, it's just hardware installation, and now the piece is ready for its new home.